http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f91.image
<title id=”p043r_a1”>Mericotons et pavis</title>
<ab id=”p043r_b1”>Il les fault enter en aulx advents de noël pourveu quil<lb/>
ne gele pas trop</ab>
<title id=”p043r_a2”>Bronzure blanche sur plastre</title>
<ab id=”p043r_b2”>Il fault donner quattre couches de colle a destrempe des<lb/>
painctres sur le portraict de plastre laissant tousjours<lb/>
seicher chasque couche Apres avecq de la mine dangleterre<lb/>
broyee sur le marbre ou plomb brusle broye av & destrempe<lb/>
avecq un peu de gomme ou de go colle & couche legerem{ent} estant<lb/>
sec frotte legerement avecq un peu de cotton et le portraict de plastre<lb/>
semblera estre de plomb. Aultres broyent du minium avecq de<lb/>
largent vif</ab>
<title id=”p043r_a3”>Purpurine</title>
<ab id=”p043r_b3”>R{ecipe} stagno dolce meza onca farlo fondere in un cochiaro<lb/>
de poi fonduto gectarli dentro una ℥ de ☿ mesedar insieme<lb/>
essendo freddo macinar supra il porfidio dapoi piglia<lb/>
una ℥ de sal armoniaco una ℥ de solfo del piu giallo<lb/>
que se possa troval macinar tutti duoi Et poi mesedar<lb/>
molto bene tutti gli matteriali sopradetti dapoi metter tutto<lb/>
insieme dentro una pignatta sublimatorio di vetro tenerlo<lb/>
sopra picciol fuoco una hora & una hora un poco piu forte<lb/>
& una hora bonissimo fuoco Et sara fatto dapoi per<lb/>
adoper(ar)la datte il negro di resina con colla di pintori da<lb/>
pintar & per doi o tre volte fin a tanto che sia ben negro<lb/>
dapoi datte un poco di vernice Essendo secco datte a secco con<lb/>
ditto la purpurina dove vorrette tanto piu ne darette sara<lb/>
piu bello dapoi si volete datte vernice sopra</ab>
<title id=”p043r_a4”>Bronzure blanche</title>
<ab id=”p043r_b4”>Donne noir a colle co{mm}e est dict sur la medaille puys vernis<lb/>
estant sec racle de la mine dangleterre dessus avecq un<lb/>
pinceau ou avecq le doigt Ladicte mine raclee embellit<lb/>
les medailles de plomb</ab>
http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f91.image
<title id=”p043r_a1”>Mericotons et pavis</title>
<ab id=”p043r_b1”>Il les fault enter aulx advents de Noël pourveu qu’il<lb/>
ne gele pas trop.</ab>
<title id=”p043r_a2”>Bronzure blanche sur plastre</title>
<ab id=”p043r_b2”>Il fault donner quattre couches de colle à destrempe des<lb/>
painctres sur le portraict de plastre, laissant tousjours<lb/>
seicher chasque couche. Aprés, avecq de la mine d’Angleterre<lb/>
broyée sur le marbre, ou plomb bruslé, broyé & destrempé<lb/>
avecq un peu de gomme ou de colle, couche legerem{ent}. Estant<lb/>
sec, frotte legerement avecq un peu de cotton et le portraict de plastre<lb/>
semblera estre de plomb. Aultres broyent du minium avecq de<lb/>
l’argent vif.</ab>
<title id=”p043r_a3”>Purpurine</title>
<ab id=”p043r_b3”>R{ecipe} stagno dolce meza onça, farlo fondere in un cochiaro.<lb/>
Depoi fonduto, gectarli dentro una ℥ de ☿, mesedar insieme.<lb/>
Essendo freddo, macinar supra il porfidio. Dapoi piglia<lb/>
una ℥ de sal armoniaco, una ℥ de solfo del più giallo<lb/>
que se possa troval, macinar tutti duoi. Et poi mesedar<lb/>
molto bene tutti gli matteriali sopradetti. Dapoi metter tutto<lb/>
insieme dentro un sublimatorio di vetro, tenerlo<lb/>
sopra picciol fuoco una hora & una hora un poco piu forte<lb/>
& una hora bonissimo fuoco, et sarà fatto. Dapoi, per<lb/>
adoper[ar]la, datte il negro di resina con colla di pintori da<lb/>
pintar per doi o tre volte, fin a tanto che sia ben negro.<lb/>
Dapoi datte un poco di vernice. Essendo secco, datte a secco con<lb/>
ditto la purpurina dove vorrette. Tanto più ne darette, sarà<lb/>
piu bello. Dapoi, si volete, datte vernice sopra.</ab>
<title id=”p043r_a4”>Bronzure blanche</title>
<ab id=”p043r_b4”>Donne noir à colle co{mm}e est dict sur la medaille, puys vernis.<lb/>
Estant sec, racle de la mine d’Angleterre dessus avecq un<lb/>
pinceau ou avecq le doigt. Ladicte mine raclée embellit<lb/>
les medailles de plomb.</ab>
http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f91.image
<title id=”p043r_a1”>Mericoton and pavis</title>
<ab id=”p043r_b1”>One should graft them before Christmas so that they will not freeze too much.</ab>
<title id=”p043r_a2”>White bronzing on plaster</title>
<ab id=”p043r_b2”>One must apply four layers of painters’ distemper glue onto the plaster portrait, leaving one layer to dry at a time. Then apply gently some burnt English point ground on a marble slab, or some lead burnt, ground and distempered with a bit of gum or glue. When dry, rub gently with a little cotton and the plaster portrait will look like lead. Others grind minium with quicksilver.</ab>
<title id=”p043r_a3”>Purpurine</title>
<ab id=”p043r_b3”>Take half an ounce of soft tin, melt it in a spoon. Once it is melted, throw in an ℥ of ☿, mix together. Once they are cold, grind on a porphyry slab. Then take an ℥ of sal ammoniac and an ℥ of the yellowest sulfur that may be found, grind both. And then mix very well all the aforementioned materials. Then put all together into a glass sublimatorium. Hold this over a small fire for an hour, and for an hour over a stronger fire, and for an hour over a very strong fire, and it will be ready. Then, to use it, apply resin black with the glue used by painters to paint, two or three times, until it is quite black. Then apply a bit of varnish. Once it is dry, apply the purpurine dry with a finger where you want. The more you apply, the finer it will look. Then, if you like, you can apply varnish on top.</ab>
<title id=”p043r_a4”>White bronzing</title>
<ab id=”p043r_b4”>Apply some black with glue on the medal, as described above, and then varnish it. Once dry, rub it with English point using a brush or your finger. The said rubbed point embellishes lead medals.</ab>
http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f91.image
<title id=”p043r_a1”>Mericotons et pavis</title>
<ab id=”p043r_b1”>Il les fault enter en aulx advents de noël pourveu quil<lb/>
ne gele pas trop</ab>
<title id=”p043r_a2”>Bronzure blanche sur plastre</title>
<ab id=”p043r_b2”>Il fault donner quattre couches de colle a destrempe des<lb/>
painctres sur le portraict de plastre laissant tousjours<lb/>
seicher chasque couche Apres avecq de la mine dangleterre<lb/>
broyee sur le marbre ou plomb brusle broye av & destrempe<lb/>
avecq un peu de gomme ou de go colle & couche legerem{ent} estant<lb/>
sec frotte legerement avecq un peu de cotton et le portraict de plastre<lb/>
semblera estre de plomb. Aultres broyent du minium avecq de<lb/>
largent vif</ab>
<title id=”p043r_a3”>Purpurine</title>
<ab id=”p043r_b3”>R{ecipe} stagno dolce meza onca farlo fondere in un cochiaro<lb/>
de poi fonduto gectarli dentro una ℥ de ☿ mesedar insieme<lb/>
essendo freddo macinar supra il porfidio dapoi piglia<lb/>
una ℥ de sal armoniaco una ℥ de solfo del piu giallo<lb/>
que se possa troval macinar tutti duoi Et poi mesedar<lb/>
molto bene tutti gli matteriali sopradetti dapoi metter tutto<lb/>
insieme dentro una pignatta sublimatorio di vetro tenerlo<lb/>
sopra picciol fuoco una hora & una hora un poco piu forte<lb/>
& una hora bonissimo fuoco Et sara fatto dapoi per<lb/>
adoper(ar)la datte il negro di resina con colla di pintori da<lb/>
pintar & per doi o tre volte fin a tanto che sia ben negro<lb/>
dapoi datte un poco di vernice Essendo secco datte a secco con<lb/>
ditto la purpurina dove vorrette tanto piu ne darette sara<lb/>
piu bello dapoi si volete datte vernice sopra</ab>
<title id=”p043r_a4”>Bronzure blanche</title>
<ab id=”p043r_b4”>Donne noir a colle co{mm}e est dict sur la medaille puys vernis<lb/>
estant sec racle de la mine dangleterre dessus avecq un<lb/>
pinceau ou avecq le doigt Ladicte mine raclee embellit<lb/>
les medailles de plomb</ab>
http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f91.image
<title id=”p043r_a1”>Mericotons et pavis</title>
<ab id=”p043r_b1”>Il les fault enter aulx advents de Noël pourveu qu’il<lb/>
ne gele pas trop.</ab>
<title id=”p043r_a2”>Bronzure blanche sur plastre</title>
<ab id=”p043r_b2”>Il fault donner quattre couches de colle à destrempe des<lb/>
painctres sur le portraict de plastre, laissant tousjours<lb/>
seicher chasque couche. Aprés, avecq de la mine d’Angleterre<lb/>
broyée sur le marbre, ou plomb bruslé, broyé & destrempé<lb/>
avecq un peu de gomme ou de colle, couche legerem{ent}. Estant<lb/>
sec, frotte legerement avecq un peu de cotton et le portraict de plastre<lb/>
semblera estre de plomb. Aultres broyent du minium avecq de<lb/>
l’argent vif.</ab>
<title id=”p043r_a3”>Purpurine</title>
<ab id=”p043r_b3”>R{ecipe} stagno dolce meza onça, farlo fondere in un cochiaro.<lb/>
Depoi fonduto, gectarli dentro una ℥ de ☿, mesedar insieme.<lb/>
Essendo freddo, macinar supra il porfidio. Dapoi piglia<lb/>
una ℥ de sal armoniaco, una ℥ de solfo del più giallo<lb/>
que se possa troval, macinar tutti duoi. Et poi mesedar<lb/>
molto bene tutti gli matteriali sopradetti. Dapoi metter tutto<lb/>
insieme dentro un sublimatorio di vetro, tenerlo<lb/>
sopra picciol fuoco una hora & una hora un poco piu forte<lb/>
& una hora bonissimo fuoco, et sarà fatto. Dapoi, per<lb/>
adoper[ar]la, datte il negro di resina con colla di pintori da<lb/>
pintar per doi o tre volte, fin a tanto che sia ben negro.<lb/>
Dapoi datte un poco di vernice. Essendo secco, datte a secco con<lb/>
ditto la purpurina dove vorrette. Tanto più ne darette, sarà<lb/>
piu bello. Dapoi, si volete, datte vernice sopra.</ab>
<title id=”p043r_a4”>Bronzure blanche</title>
<ab id=”p043r_b4”>Donne noir à colle co{mm}e est dict sur la medaille, puys vernis.<lb/>
Estant sec, racle de la mine d’Angleterre dessus avecq un<lb/>
pinceau ou avecq le doigt. Ladicte mine raclée embellit<lb/>
les medailles de plomb.</ab>
http://gallica.bnf.fr/ark:/12148/btv1b10500001g/f91.image
<title id=”p043r_a1”>Mericoton and pavis</title>
<ab id=”p043r_b1”>One should graft them before Christmas so that they will not freeze too much.</ab>
<title id=”p043r_a2”>White bronzing on plaster</title>
<ab id=”p043r_b2”>One must apply four layers of painters’ distemper glue onto the plaster portrait, leaving one layer to dry at a time. Then apply gently some burnt English point ground on a marble slab, or some lead burnt, ground and distempered with a bit of gum or glue. When dry, rub gently with a little cotton and the plaster portrait will look like lead. Others grind minium with quicksilver.</ab>
<title id=”p043r_a3”>Purpurine</title>
<ab id=”p043r_b3”>Take half an ounce of soft tin, melt it in a spoon. Once it is melted, throw in an ℥ of ☿, mix together. Once they are cold, grind on a porphyry slab. Then take an ℥ of sal ammoniac and an ℥ of the yellowest sulfur that may be found, grind both. And then mix very well all the aforementioned materials. Then put all together into a glass sublimatorium. Hold this over a small fire for an hour, and for an hour over a stronger fire, and for an hour over a very strong fire, and it will be ready. Then, to use it, apply resin black with the glue used by painters to paint, two or three times, until it is quite black. Then apply a bit of varnish. Once it is dry, apply the purpurine dry with a finger where you want. The more you apply, the finer it will look. Then, if you like, you can apply varnish on top.</ab>
<title id=”p043r_a4”>White bronzing</title>
<ab id=”p043r_b4”>Apply some black with glue on the medal, as described above, and then varnish it. Once dry, rub it with English point using a brush or your finger. The said rubbed point embellishes lead medals.</ab>